“Learn improv comedy from a coach who hates his job,” Safe Space is an ongoing comedy project I directed with forty (some yet to be released), 1-3 minute shorts featuring many of New York’s most talented, up-and-coming comedy performers. Centered around a topic they all know too well, each episode dives intimately into improv comedy, and stars long time collaborator and tik tok star Willy Appelman. A new episode will be posted every week until summer 2022.
After working together on an episode of Safe Space, 2021 Emmy Award winning writer/performer Chrissy Shackelford reached out to me to direct a show about a Ghostwriter. The show is entirely improvised by Chrissy and actor James Dwyer who plays the Ghostwriter, and each episode showcases one of Chrissy’s insane and hilarious original characters.
As a writer-director, my interest is in building a character-based story structure and finding ways to best showcase a performers authenticity. I like to keep an experimental mind and an eye out for new ways to do things. And as my filmmaking matures, I continue to find ways to experiment, collaborate with actors I admire, with a growing desire to show life as lived.
As creative director for Jeff’s 2020 campaign for town judge of Ossining New York, I produced a number of commercial spots helping Jeff unseat an 8-year incumbent judge. Jeff’s campaign started in February 2020, which presented a serious obstacle: how does a first time candidate run for a local office during an international pandemic? I’m very proud to say this campaign was a success and this experience has also widened my interest to work on more political projects. I’ve since been working closely with NY Renews, a coalition of over 100 organizations devoted to promoting good jobs and climate justice with 100% clean, renewable energy.
A decade before James Franco won a Golden Globe impersonating Tommy, two friends and I began three years of midnight screenings of the world’s “worst,” “funniest,” and “least boring” movie of all time, Tommy Wiseau’s The Room. Every screening was in a four-walled (rented) theater, which gave us freedom to do whatever we wanted, and it was a guarenteed party every month. Selling out 450 seats almost every month, we had a band playing along with the music, free plastic spoons, and each month I produced a 20 minute pre show of original short films, comedy sketches, and live stand up comedy. By the end we had worked with many of my favorite comics including three of my comedy heroes… David Wain, David Cross, and H Jon Benjamin. At the peak of it’s success, we sold out New York’s legendary Ziegfeld Theater, making The Room one of the last three movies to sell out the Ziegfeld’s 1200 seats before closing in 2016, the other two were both Star Wars.
A feature documentary that I edited alongside director Raymond De Felitta. I was first asked to be the assistant editor of this film, which is based off of a 1960s NBC documentary about race relations in the south, made by Raymond’s father, Frank De Felitta. But after I saw and loved the 1960s documentary, I edited together a cutdown and impressed Raymond and producer David Zellerford enough to get the job as lead editor. Working with Raymond to shape such powerful work was a storytelling master class. It cemented my passion for the editorial process, and my understanding of how story is formed and often created in editing.
After completing a 360/VR filmmaking course at the University of Berkeley, I went on tour with Philadelphia rock band The Superweaks. For 20 shows in 20 cities across Europe, I filmed a 360/VR film for every show, posting everyday on the band’s social accounts for their fans back home. Using two 360 cameras, one DSLR, and two point and shoots, I was able to make 20 unique concert videos, each film with a different approach to filming and editing. In addition to the 360 films, working with longtime collaborator Mike Bell, I made short docs and sketches which were also shot, edited, and posted daily. The 5 films on this link are my favorite of the tour… brief profiles of each, hilarious member of The Superweaks.
In Errol Morris’ book Believing is Seeing, Morris states his definition of art… “set up a series of arbitrary rules, and follow them slavishly.” For 555, I set up some arbituary rules and began a daily film project that lasted 30 days. This experimental series resulted in the seeds for many future projects, most notably Safe Space and Band on Tour, both also clearly influenced by “the Morris definition”. And while many of my film and comic influences are clear throughout this experiment, more than in any other project, my goal was to try to explore and discover my authentic voice as a filmmaker. Note, this is not Andrew DeYoung’s 555 series which released soon after this, but coincidentally, I am a huge fan of that show too.
What is Paradox X? Three 10 minute episodes satirizing syndicated true crime reality shows. But what is Paradox X really? The idea of the show came to co-creator Ned Martin and I while watching episodes of Unsolved Mysteries, which originally broadcasted as urgent nighttime specials. The original goal of Unsolved Mysteries was to actually find missing girls, solve mysteries, and catch dangerous criminals. But soon after the initial specials, these urgent messages transformed into a regularly airing series complete with syndicated repeats. This perversation of the original form is Paradox X. But what is Pardox X really really, and why are there so many different versions? Well there are three primary episodes, one version made as part of a film race, one made as part of the 555 film series, and three unfinished versions that I like to chip away at every once and a while, because there’s something really funny about dark, dry, and dumb.
Gary Vosot is a satirical news reporter brilliantly portrayed by Matt Evans, a former aspiring news reporter himself. Together we created a dozen sketches and a tv pilot called Breaking The News. This was the first time I worked so closely with an established comedy performer on a recognizable story structure. Working with a performer, developing his character for a comedy narrative instantly became one of my primary career ambitions. The pilot also featured some of my favorite comic actors, and it was an honor of a lifetime to direct comedy legends Dave Pasquesi, Miriam Tolan, and kindest man comedy, Brian Stack.
In 2013, during his month long residency in New York, Banksy covertly set up a stall in the park selling original signed prints for $60 each. A week later, artists Dave Circirelli, Lance Pilgrim and I put together a viral video of us selling counterfeit Banksy prints, or “FAKE BANKY” prints, selling each one with a clear, legally notarized “Certificate of Inauthenticity.”
Videos in this category are the result of 20 or so years of friends calling me, me calling friends, or me saying to myself, “let’s make a video.” Because of that, this bucket could be 100+ videos, not to mention most videos on this website, but I did my best to widdle it down to some of my favorites.
Working closely with an assistant editor, I dive into the internet searching for footage and music to rip (steal) in order to visualize a story guided by a written voice over and/or supers. Because of the nature of this work, I need to keep this collection password protected, but it might be a lowercase letter that shows up twice in my initials.